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   Vatican Information Service - Eng - to All   
   VISnews130205   
   05 Feb 13 07:11:14   
   
   Subject: VISnews130205   
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    VATICAN INFORMATION SERVICE   
   YEAR XXIII - N° 25   
   DATE 05-02-2013   
      
   Summary:   
    - ARCHBISHOP FISICHELLA PRESENTS NEW EXHIBIT: THE PATH OF PETER   
    - MUTUAL ESTEEM BETWEEN POPE AND ITALIAN PRESIDENT   
    - CONCERT FOR POPE COMMEMORATING LATERAN ACCORDS   
      
   ___________________________________________________________   
      
      
   ARCHBISHOP FISICHELLA PRESENTS NEW EXHIBIT: THE PATH OF PETER   
   Vatican City, 5 February 2013 (VIS) - This morning in the Holy See Press   
   Office, Archbishop Rino Fisichella, president of the Pontifical Council for   
   Promoting New Evangelisation, announced details of the exhibit "The Path of   
   Peter" (Castel Sant'Angelo,   
   6 February–1 May 2013) that will be opened at 6:00pm tomorrow by   
   Cardinal Secretary of State Tarcisio Bertone S.D.B. Also participating in the   
   press conference were Don Alessio Geretti, curator of the exhibit, and Daniela   
   Porro, superintendent of   
   the Consortium of Roman Museums. The exhibit, one of the initiatives of the   
   Year of Faith, is a collaborative effort between nine countries and will   
   include pieces ranging from the 4th and 5th centuries all the way to the   
   beginning of the 20th century.   
   "First of all, it's good to explain the 'why' of this exhibit," said the   
   archbishop. "Faith isn't just the commitment of believers. It expresses   
   humanity's need to look within in order to understand the desire for God that   
   is inscribed on the heart of   
   each person. This cultural moment we are living in is strongly characterized   
   by contradictory movements ... On the one hand it seems that there is a   
   general feeling of fatigue and indifference that even affects our faith. It   
   makes it seem limited to a   
   small group of persons and as if it no longer held any appeal to the new   
   generations. On the other hand, there is the excessive enthusiasm for   
   scientific progress and new lifestyles as if these were the solutions to   
   today's serious problems. Not   
   infrequently in this case, we come to the claim that it is good to limit   
   faith's sphere to the private, denying its social or cultural effect. At the   
   same time, however, it is easy to see that the desire to enjoy the beauty of   
   nature and wo   
    rks of   
   art is constantly increasing. … Today, fortunately, we are still   
   looking for something that is more important and more profound, because the   
   spirit is moved by the desire to know and to admire … seeking to   
   contemplate a beauty that is not   
   transient because it has created culture and extends through the centuries,   
   always arousing wonder and marvel for the genius of the artist and for what   
   they have known how to create, motivated by their faith and their interpretive   
   abilities."   
   "It is precisely to reinforce this desire and to give voice to the nostalgia   
   for God, often latent in many persons," the prelate continued, "that we have   
   decided to organize this exhibit as a journey through the centuries to come to   
   know one of the   
   persons who has always stimulated the minds of artists to try to understand   
   his mystery and give it voice. We wanted to narrate 'The Path of Peter' in art   
   … Peter is the image of humanity that seeks and that finds and that,   
   after having found,   
   follows. Unfortunately he is also weak and commits betrayal but he still knows   
   how to ask forgiveness. Moved by love, by a unique and sweeping experience, he   
   leaves everything behind in order to proclaim the mystery of Christ's   
   Resurrection to the   
   world. It is a true journey of faith, without rest, that artists have captured   
   … in many works that witness to its beauty."   
   "This exhibit is a path for growing in faith but it is also a challenge to   
   recognize the necessity of believing as a response to the question of meaning   
   that life poses. Looking upon the work of art, believers and non-believers   
   have different reactions,   
   but beauty expresses a call to one and all to listen to the message that can   
   be perceived in the silence of contemplation. … This is one of the   
   reasons why we thought that the exhibit shouldn't take place in a religious   
   space but in an open space   
   where all might have access without prejudices, moved only by the interest in   
   art. True art, on the other hand, knows how to challenge us and it's good not   
   to force one's hand with too many words so as not to run the risk of   
   trivializing its message."   
      
   ___________________________________________________________   
      
      
   MUTUAL ESTEEM BETWEEN POPE AND ITALIAN PRESIDENT   
   Vatican City, 5 February 2013 (VIS) – Yesterday afternoon the Pope and   
   the President of the Italian Republic Giorgio Napolitano met in one of the   
   rooms adjoining the Paul VI Audience Hall before attending a concert offered   
   to the Pope by the   
   Italian Embassy to the Holy See in celebration of the 84th anniversary of the   
   Lateran Accords.   
   The discussion, which lasted around 20 minutes, was particularly intense,   
   given that it touched upon the approaching end of the president's seven-year   
   term, which has been characterized by a great mutual esteem and by always   
   cordial meetings on the part   
   of both sides, as a statement from the Holy See Press Office reports.   
   In the conversation, the Pope expressed his attention on and participation in   
   the important events that are awaiting the Italian people. They also spoke   
   about major themes of the international situation, particularly the concern   
   for peace in the most   
   troubled areas of the world such as the Middle East and Africa..   
      
   ___________________________________________________________   
      
      
   CONCERT FOR POPE COMMEMORATING LATERAN ACCORDS   
   Vatican City, 5 February 2013 (VIS) – Yesterday afternoon, in the Paul   
   VI Hall, the Maggio Musicale Fiorentino Orchestra, lead by Conductor Zubin   
   Mehta, offered a concert to the Pope from the Italian Embassy to the Holy See   
   on the occasion of the   
   84th anniversary of the Lateran Accords. The repertoire included "The Force of   
   Destiny", by Giuseppe Verdi, and the "Symphony No. 3 in E flat major", also   
   known as the "Eroica", by Ludwig van Beethoven.   
   At the end of the performance Benedict XVI addressed the audience briefly   
   saying that the choice of "The Force of Destiny" was "a fitting tribute to the   
   great Italian composer on the two hundredth anniversary of his birth" and that   
   his works "know how   
   to capture and treat the situations of life in music, above all the drama of   
   the human soul, in such an immediate, incisive, and essential way that is rare   
   to find in the musical panorama. The destiny he gives his characters is always   
   tragic and the   
   protagonists of the Symphony that we have just heard do not escape it.   
   However, dealing with the theme of destiny, Verdi finds himself taking on the   
   theme of religion directly; he confronts God, faith, the Church. And once   
   again this composer’s   
   spirit re-emerges: his restlessness, his religious quest. "The Force of   
   Destiny" … gives shape to the drama of human existence, marked by a   
   tragic destiny and by nostalgia for God, His mercy, and His love that gives   
   light, meaning   
    , and   
   hope even in the midst of darkness. Faith gives us this perspective that is   
   not illusory but real … This is the strength of the Christian, who is   
   born of Christ's death and resurrection, from the supreme act of a God who has   
   entered into human   
   history not only in words but by becoming incarnate."   
   He added, "a few words on Beethoven's Third Symphony … which, as you   
   know was dedicated to Napoleon, but the great German composer changed his mind   
   after Bonaparte proclaimed himself emperor, changing the title to 'Composition   
   Celebrating the   
   Memory of a Great Man'. Beethoven's music expresses the idea of a heroic   
   bearer of freedom and equality who has to choose between resignation or   
   battle, between death or life, between surrender or victory. … I am not   
   going to analyse the   
   Symphony's four movements, but just mention the second, the celebrated   
   'Funeral March' … a stunning meditation on death … that invites   
   us to reflect on what is beyond, on the infinite. In those years, Beethoven,   
   in the Heiligenstadt   
   testament of 1802 wrote, 'O Divine One, thou lookest into my inmost soul, thou   
   knowest it, thou knowest that love of man and desire to do good live therein.'   
   The search for meaning that opens the door to a solid hope for the future   
   forms part of   
   humanity's path."   
      
   ___________________________________________________________   
      
    Per ulteriori informazioni e per la ricerca di documenti consultare il   
    sito: www.wisnews.org  e  www.vatican.va   
    Il servizio del VIS viene inviato soltanto agli indirizzi di posta   
    elettronica che ne hanno fatto richiesta. Se per qualunque motivo   
    non si desidera continuare a riceverlo, si prega di visitare nostra pagina   
    dinizio:   
    http://212.77.1.245/news_services/press/vis/italinde.php   
      
    Copyright (VIS): Le notizie contenute nei servizi del Vatican   
    Information Service possono essere riprodotte parzialmente o totalmente   
    citando la fonte: V.I.S. - Vatican Information Service.   
      
   --Boundary_(ID_o+nVsdYhXsqCrxBUkQSmwA)   
   Content-type: text/html; CHARSETUS-ASCII   
   Content-transfer-encoding: 7BIT   
      
      
      
      
              
   VISnews130205   
      
   


VATICAN INFORMATION SERVICE
YEAR XXIII - N° 25DATE 05-02-2013

Summary:
- ARCHBISHOP FISICHELLA PRESENTS       NEW EXHIBIT: THE PATH OF       PETER
- MUTUAL ESTEEM BETWEEN POPE AND ITALIAN PRESIDENT
- CONCERT       FOR POPE COMMEMORATING LATERAN ACCORDS

______________       ____________________________________________

       

ARCHBISHOP FISICHELLA PRESENTS NEW EXHIBIT: THE PATH OF PETER

       

Vatican City, 5 February 2013 (VIS) - This morning in the Holy See Press       Office, Archbishop Rino Fisichella, president of the Pontifical Council for       Promoting New Evangelisation, announced details of the exhibit "The Path of       Peter" (Castel       Sant'Angelo, 6 February–1 May 2013) that will be opened at 6:00pm       tomorrow by Cardinal Secretary of State Tarcisio Bertone S.D.B. Also       participating in the press conference were Don Alessio Geretti, curator of the       exhibit, and Daniela Porro,       superintendent of the Consortium of Roman Museums. The exhibit, one of the       initiatives of the Year of Faith, is a collaborative effort between nine       countries and will include pieces ranging from the 4th and 5th centuries all       the way to the beginning of       the 20th century.

       

"First of all, it's good to explain the 'why' of this exhibit," said the       archbishop. "Faith isn't just the commitment of believers. It expresses       humanity's need to look within in order to understand the desire for God that       is inscribed on the heart       of each person. This cultural moment we are living in is strongly       characterized by contradictory movements ... On the one hand it seems that       there is a general feeling of fatigue and indifference that even affects our       faith. It makes it seem limited to       a small group of persons and as if it no longer held any appeal to the new       generations. On the other hand, there is the excessive enthusiasm for       scientific progress and new lifestyles as if these were the solutions to       today's serious problems. Not       infrequently in this case, we come to the claim that it is good to limit       faith's sphere to the private, denying its social or cultural effect. At the       same time, however, it is easy to see       that the desire to enjoy the beauty of nature and works of art is constantly       increasing. … Today, fortunately, we are still looking for something       that is more important and more profound, because the spirit is moved by the       desire to know and to       admire … seeking to contemplate a beauty that is not transient because       it has created culture and extends through the centuries, always arousing       wonder and marvel for the genius of the artist and for what they have known       how to create, motivated       by their faith and their interpretive abilities."

       

"It is precisely to reinforce this desire and to give voice to the       nostalgia for God, often latent in many persons," the prelate continued, "that       we have decided to organize this exhibit as a journey through the centuries to       come to know one of the       persons who has always stimulated the minds of artists to try to understand       his mystery and give it voice. We wanted to narrate 'The Path of Peter' in art       … Peter is the image of humanity that seeks and that finds and that,       after having found,       follows. Unfortunately he is also weak and commits betrayal but he still knows       how to ask forgiveness. Moved by love, by a unique and sweeping experience, he       leaves everything behind in order to proclaim the mystery of Christ's       Resurrection to the       world. It is a true journey of faith, without rest, that artists have captured       … in many works that witness to its beauty."

       

"This exhibit is a path for growing in faith but it is also a challenge to       recognize the necessity of believing as a response to the question of meaning       that life poses. Looking upon the work of art, believers and non-believers       have different       reactions, but beauty expresses a call to one and all to listen to the message       that can be perceived in the silence of contemplation. … This is one of       the reasons why we thought that the exhibit shouldn't take place in a       religious space but in an       open space where all might have access without prejudices, moved only by the       interest in art. True art, on the other hand, knows how to challenge us and       it's good not to force one's hand with too many words so as not to run the       risk of trivializing its       message."

       
___________________________________________________________
       

MUTUAL ESTEEM BETWEEN POPE AND ITALIAN PRESIDENT

       

Vatican City, 5 February 2013 (VIS) – Yesterday afternoon the Pope       and the President of the Italian Republic Giorgio Napolitano met in one of the       rooms adjoining the Paul VI Audience Hall before attending a concert offered       to the Pope by the       Italian Embassy to the Holy See in celebration of the 84th anniversary of the       Lateran Accords.

       

The discussion, which lasted around 20 minutes, was particularly intense,       given that it touched upon the approaching end of the president's seven-year       term, which has been characterized by a great mutual esteem and by always       cordial meetings on the       part of both sides, as a statement from the Holy See Press Office reports.

       

In the conversation, the Pope expressed his attention on and participation       in the important events that are awaiting the Italian people. They also spoke       about major themes of the international situation, particularly the concern       for peace in the most       troubled areas of the world such as the Middle East and Africa..

       
___________________________________________________________
       

CONCERT FOR POPE COMMEMORATING LATERAN ACCORDS

       

Vatican City, 5 February 2013 (VIS) – Yesterday afternoon, in the       Paul VI Hall, the Maggio Musicale Fiorentino Orchestra, lead by Conductor       Zubin Mehta, offered a concert to the Pope from the Italian Embassy to the       Holy See on the occasion of       the 84th anniversary of the Lateran Accords. The repertoire included "The       Force of Destiny", by Giuseppe Verdi, and the "Symphony No. 3 in E flat       major", also known as the "Eroica", by Ludwig van Beethoven.

       

At the end of the performance Benedict XVI addressed the audience briefly       saying that the choice of "The Force of Destiny" was "a fitting tribute to the       great Italian composer on the two hundredth anniversary of his birth" and that       his works "know       how to capture and treat the situations of life in music, above all the drama       of the human soul, in such an immediate, incisive, and essential way that is       rare to find in the musical panorama. The destiny he gives his characters is       always tragic and the       protagonists of the Symphony that we have just heard do not escape it.       However, dealing with the theme of destiny, Verdi finds himself taking on the       theme of religion directly; he confronts God, faith, the Church. And once       again this composer’s       spirit re-emerges: his restlessness, his religious quest. "The Force of       Destiny" … gives shape to the drama of human existence, marked by a       tragic destiny and by nostalgia for God, His mercy,       and His love that gives light, meaning, and hope even in the midst of       darkness. Faith gives us this perspective that is not illusory but real       … This is the strength of the Christian, who is born of Christ's death       and resurrection, from the       supreme act of a God who has entered into human history not only in words but       by becoming incarnate."

       

He added, "a few words on Beethoven's Third Symphony … which, as you       know was dedicated to Napoleon, but the great German composer changed his mind       after Bonaparte proclaimed himself emperor, changing the title to 'Composition       Celebrating the       Memory of a Great Man'. Beethoven's music expresses the idea of a heroic       bearer of freedom and equality who has to choose between resignation or       battle, between death or life, between surrender or victory. … I am not       going to analyse the       Symphony's four movements, but just mention the second, the celebrated       'Funeral March' … a stunning meditation on death … that invites       us to reflect on what is beyond, on the infinite. In those years, Beethoven,       in the Heiligenstadt       testament of 1802 wrote, 'O Divine One, thou lookest into my inmost soul, thou       knowest it, thou knowest that love of man and desire to do good live therein.'       The search for meaning that opens the       door to a solid hope for the future forms part of humanity's path."

       
___________________________________________________________

       Per ulteriori informazioni e per la ricerca di documenti consultare il
       sito: www.wisnews.org e www.vatican.va
Il servizio del       VIS viene inviato soltanto agli indirizzi di posta
elettronica che ne       hanno       fatto richiesta. Se per qualunque motivo
non si desidera continuare a       riceverlo, si prega di visitare nostra pagina
dinizio:
http://212.77.1.245/news_services/press/vi       /italinde.php
       
Copyright (VIS): Le notizie contenute nei servizi del Vatican
       Information Service possono essere riprodotte parzialmente o totalmente
       citando la fonte: V.I.S. - Vatican Information Service.


       
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