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   SUBJECT: THE BILLY MEIER STORY                               FILE: UFO1009   
      
      
      
   Part 3    
          
       But why was it that Meier was chosen?  Wendelle Stevens   
   believes he knows the answer: "They told him that they had been in   
   contact with him before in other lifetimes."  Such an idea might,   
   of course, occur to someone who had spent two years listening to   
   the kind of conversation that takes place daily in an ashram.  But   
   Meier's belief is a little more elaborate, according to Stevens's   
   testimony:   
      
     "They said that their ancestors had contacted him during prior   
   incarnations on Earth.  They told him that he was one of them who   
   had been caught in an Earth evolution by his own choice several   
   thousand years ago. Since his soul patterns were more akin to them   
   it was registered in their computers.  Supposedly, they could find   
   him wherever he was.  As he was one of them and familiar with   
   their mission, his soul could understand ideas communicated to him   
   better than our souls could."   
      
     The Pleiadean computer, it will be noted, is obviously a   
   remarkable piece of machinery, able to record 'soul patterns'...   
      
     Genesis III do not mention any analysis of the notes made by   
   Meier of his contacts with the Pleiadeans.  But Jim Lorenzen of   
   APRO quotes Dr James Hurtak, a language specialist who has taken   
   the opportunity to read most of the 3000 pages of the "Semjase   
   correspondence" in the original German. "The linguistic use of   
   Egyptian-Aramaic and Egyptian-Hebrew  names ... is latterday   
   patchwork," he says. " All this shifting play of correspondence by   
   which everything ... is cheated of its individual logic creates a   
   mood of pensive jesting ... and even sublime travesty. By all the   
   standards of genuine 'ancient knowledge' ... this civilization   
   which lays claim to being 3000 years into the future has not   
   offered much in the way of a quantum jump over what our ancestors   
   had 5000 years ago (in the way of intellectual transformation)."   
      
     ... (The Pleiadeans display) a Zen-like combination of fierce   
   moral comment and studied indifference  (which) is driven home by   
   various quasi-mystical utterances by the cosmonauts. Some examples:   
      
      'Man should know that the God force is quite simply that of   
   creation, and that man also ... is subject to creation and   
   respectively complementary to it.' 'Material life on Earth is only   
   a passing event, a phenomenon vanishing after a time.  However,   
   before him and after him there continues to exist the creative   
   presence of the universe.'   
      
      'When the spirit, this universal self, manifests itself in the   
   human being through constant love, wisdom and truth, then a major   
   breakthrough occurs in the surrounding self-veils which eliminates   
   the physical-material urge of greed, anger, hate, averice, war...'   
      
     "The aliens gave Meier the most sought after prize of all -   
   wisdom," remarks Kal Korff, adding: "It was very basic wisdom   
   indeed." Certainly, reading through the pronouncements on life, the   
   Universe and everything that Semjase condescended to give Meier,   
   one is embarassed by their halt-familier triviality.   
      
     The photographs taken by "Billy" Meier of Pleiadean spacecraft   
   as they flew around the valleys near Hinwell, Switzerland, are   
   among the most striking UFO pictures ever published ... on closer   
   look, certain patterns in the pictures emerge -- and certain   
   suspicions are aroused.   
      
     Is it coincidence, for example, that so many pictures seem to   
   show the flying disc at exactly the same angle to the camera,   
   despite the very different locations and times of day at which the   
   photographs were supposedly taken?  Why do the reflections and   
   shadows on the Pleiadean spaceships appear the same, too, despite   
   the various backgrounds?  Why are the undersides of the craft so   
   dark -- as they would be if they were models, say, close to the   
   camera?  Is there any significance to the massive preponderance of   
   shots in which the craft are shown against a clear, light sky --   
   the best type of background on which to superimpose a UFO image?   
   End of part 3   
      
                
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