TZUTC: -0400   
   MSGID: 126.fidonet_ufo@1:3634/60 2c773098   
   PID: Synchronet 3.19b-Win32 master/a2a9dc027 Jan  2 2022 MSC 1928   
   TID: SBBSecho 3.14-Win32 master/a2a9dc027 Jan  2 2022 MSC 1928   
   BBSID: RICKSBBS   
   CHRS: UTF-8 4   
      
   SUBJECT: UFO Cover-Up ?                                      FILE: UFO137   
      
   PART 3   
      
        At  this point, it became obvious to all on board  that  the   
   show  was dramatically changing, and would not reflect the  title   
   it  was promoting.  For this and many other reasons too  numerous   
   and unrelated to mention here, many of the show's other prominent   
   individuals  began  to slowly withdraw, such as  Emenegger,  Curt   
   Brubaker and Tracy Torme.   
      
        "UFO Cover-Up? Live!" had the potential for being one of the   
   most  powerful  and  impacting pieces of  its  type  ever  aired.   
   However, the producer did everything in his power to insure  that   
   didn't  occur.   The  show's greatest enemy was  perhaps  no  the   
   producer,  per se, but the fear and paranoia induced within  him.   
   Is it only by chance that his paranoia became more obvious  after   
   the aforementioned meetings with "Condor" and "Falcon"?   
      
        From a viewer's standpoint, the show was rather pitiful.  It   
   dragged, was incredibly redundant, never really got to the  point   
   and was painfully studded with such professional gaffes as a  set   
   of  horrid  glowing pyramids and supposedly live dialogue  by  in   
   studio guests all obviously reading off teleprompters--except for   
   the  skeptics.  All of this was the result of the producer's  re-   
   orientation.   
      
        Just  prior  to  the live studio  airing,  consultants  Bill   
   Moore, Jaime Shandera and Bob Emenegger were so annoyed with  the   
   producer's  altered  behavior that they began  playing  practical   
   jokes on him right on the set, just to demonstrate how  intensely   
   they disliked how they and the show were being mishandled.   
      
        So if there's anyone you wish to blame for being deprived of   
   what was promised, or why the show was more of a sedative than an   
   eye-opening dramatic look at what's actually been transpiring  in   
   ufology,  don't  blame  the original writer,  the  director,  the   
   associate  or segment producers, who all knew their jobs and  did   
   them  superbly.   The  producer's  paranoid  state  of  mind  and   
   resultant change of attitude should catch the flak.  The question   
   is, why did he suddenly change?  Just what influences caused it?   
      
        In  actuality,  it would have been  really  interesting  and   
   exciting  had  the  CIA, NSA or MJ-12  (presupposing  the  latter   
   actually  exists)  infiltrated the production  and  attempted  to   
   manipulate  the  show.   At  least  that  would  have  put   some   
   excitement  into it.  It should be noted that later the  producer   
   was  visited  by  a  local  FBI  agent--a  story  that  has  been   
   confirmed--apparently to discuss the show and it's contents.  The   
   reason  for this aftermath visit is not known to this  writer  or   
   the  show's  other  production members, but  it  along  with  the   
   repeated   visits  by  "Falcon"  and  "Condor"  may   have   also   
   contributed  to the wild rumors, which still continue  to  plague   
   the field.  As Tracy Torme once joked, "If someone's mustache  is   
   crooked, MJ-12 must be sending a secret message!"   
      
        Perhaps  the next time around, assuming there will  be  one,   
   the  right production company will hire the right producer.   And   
   perhaps that producer will give the show the proper guidance  and   
   vitalization  to  convey the truth as opposed to  a  limited  and   
   perhaps   
      
          
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