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|    Message 196 of 538    |
|    Richard Webb to Ardith Hinton    |
|    Musical Interlude    |
|    09 Jun 12 03:57:30    |
      Hello Ardith,              On Thu 2012-Jun-07 23:56, Ardith Hinton (1:153/716) wrote to Richard Webb:              RW> HOw do you get a guitar player to turn down?              RW> Put sheet music in front of him.                     AH> Good one! I can well imagine that such an individual       AH> might be more confident when improvising and/or playing by ear,       AH> where I'm just the opposite.               I can do both. I'll solo alright, but unlike a lot of jazz       players, when I run out of ideas I'm very glad to hand it to the next guy.        That's what always frustrates me the most       about "modern" or "progressive" jazz. Guys who will stand       there and noodle the night away on a piece, and once they've run out of ideas       just noodle scales or something.              Even then, I find that after playing a certain piece I end       up playing the same thing, even though I tell myself "I'm       going to try to bring somethign fresh to this one tonight."       IT often doesn't work that way. Once I've developed my       moment in the sun that flows it stays with me.              AH> There's a drummer in our community band who is at his       AH> best when the conductor wants him to do a solo & tells him "Just       AH> make up something." I'm at my best when all I have to do is read       AH> the notes or when the conductor wants me to keep a low profile &       AH> enable somebody else's work to stand out... [chuckle].               That's as much an art in itself, and what I really try to       drive into the heads of a lot of players, especially guitar       players. There are guitarists I know I almost dread sitting in with a band       I'm working with, because they don't support       the ensemble well.              IN fact, it frustrates me, and one reason I don't do well       with less than high quality players. The more secure you       are in your musical ability I find the more willing you are       to support the ensemble properly. If you've got an ego       problem coupled with a bit of insecurity it's all 'hey look       at me." and not a good supporting player.              I had it drummed into me with our high school stage band       though, I think I've told stories about that band director       here before (the guy who went ballistic on the guy giving me the kick to       signal me) and with a stage band he was big on       instruments such as piano adn guitar doing the support role       well, and i was piano for the stage band.              IT was something I lost touch with when first working on the raod, but as I       got older and gained more real confidence in       my abilities came back to me, all those old lessons he       taught sometimes in a very brusque manner.                            Regards,        Richard       ---        * Origin: (1:116/901)    |
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