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|    ENGLISH_TUTOR    |    English Tutoring for Students of the Eng    |    4,347 messages    |
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|    Message 3,074 of 4,347    |
|    Dallas Hinton to Anton Shepelev    |
|    The record shop.    |
|    18 Apr 20 14:54:37    |
      MSGID: 1:153/7715.0 e9b775e0       REPLY: 2:221/6.0 5e9b5c36       CHRS: IBMPC 2       Hi Anton -- on Apr 18 2020 at 22:59, you wrote:              AS> One mike per player is nothing! How many mikes do your see installed       AS> on a typical drum set? This polymicrohone technique suffres from       AS> bleeding (of the singnal to other mikes), phrase problems, the       AS> playing of each instrument in its own (often artificial) acoustic       AS> space, and the inablity to employ true (time-based) stereo, a       AS> result that is completely and the sound engineer's disposal.              All true -- I was thinking more orchestrally, where there isn't a drum       kit. Close miking in that situation does still bleed, but gives the       engineer a lot of post-recording control for solos, etc....                     Cheers... Dallas              --- timEd/NT 1.30+        * Origin: The BandMaster, Vancouver, CANADA (1:153/7715)       SEEN-BY: 1/120 123 18/0 19/10 90/1 116/116 120/340 601 123/0 25 50       SEEN-BY: 123/150 170 755 135/300 138/146 153/250 757 7715 154/10 203/0       SEEN-BY: 221/0 1 6 360 226/30 227/114 229/101 426 1014 240/1120 1634       SEEN-BY: 240/2100 5138 5832 5853 8001 8002 8005 249/206 317 261/38       SEEN-BY: 280/5003 5006 313/41 317/3 320/219 322/757 335/364 342/200       SEEN-BY: 382/147 423/81 460/58 640/1138 1321 1384 712/848 2454/119       SEEN-BY: 3634/0 12 15 27 50       PATH: 153/7715 3634/12 640/1384 221/1 280/5003 240/1120 5832 229/426           |
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