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|    ENGLISH_TUTOR    |    English Tutoring for Students of the Eng    |    4,347 messages    |
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|    Message 3,067 of 4,347    |
|    Anton Shepelev to Dallas Hinton    |
|    The record shop.    |
|    18 Apr 20 22:59:56    |
      MSGID: 2:221/6.0 5e9b5c36       REPLY: 1:153/7715.0 e9a75db1       PID: SmapiNNTPd/Linux/IPv6 1.3 20200418       EID: Sylpheed 3.7.0 (GTK+ 2.24.32; arm-unknown-linux-gnueabihf)       CHRS: IBMPC 2       TZUTC: 0300       TID: hpt/lnx 1.9.0-cur 2020-04-15       Dallas Hinton:              > Of course, going to the other extreme (as is sometimes done)       > you have 1 mike per player and then you can have all sorts of fun       > in the mix! :-)              One mike per player is nothing! How many mikes do your see installed       on a typical drum set? This polymicrohone technique suffres from       bleeding (of the singnal to other mikes), phrase problems, the       playing of each instrument in its own (often artificial) acoustic       space, and the inablity to employ true (time-based) stereo, a       result that is completely and the sound engineer's disposal.              ---         * Origin: nntps://news.fidonet.fi (2:221/6.0)       SEEN-BY: 1/123 90/1 120/340 601 221/0 6 226/30 227/114 229/101 426       SEEN-BY: 229/1014 240/1120 1634 2100 5138 5832 5853 8001 8002 8005       SEEN-BY: 249/206 317 261/38 280/5003 313/41 317/3 320/219 322/757       SEEN-BY: 331/313 333/808 335/206 364 342/200 382/147 2454/119 4500/1       SEEN-BY: 5020/1042       PATH: 221/6 335/364 240/1120 5832 229/426           |
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