MSGID: 2:221/6.0 5e9a1f9c   
   REPLY: 2:221/360.0 5e9a1394   
   PID: SmapiNNTPd/Linux/IPv6 1.3 20200413   
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   TZUTC: 0300   
   TID: hpt/lnx 1.9.0-cur 2020-04-15   
   August Abolins - Dallas Hinton:   
      
   >   DH> Yes. One of the best recordings I ever heard (and I don't   
   >   DH> remember any of the details now) was a symphony orchestra   
   >   DH> recorded with a single microphone hanging centrally from the   
   >   DH> ceiling. It shouldn't have had any stereo effect but it   
   >   DH> certainly did!   
   >   
   > Can't they add those effects later?   
      
   Adding artificial stereo, including stereo reverb to a   
   single-micorophone monophonic recording would ruin the purity and   
   beauty of the recording technique. If one wants stereo, one should   
   start by recording in stereo.   
      
   On the other hand, search for "accidental stereo" for many   
   interesting results!   
      
   > I believe that's the same technique that was accomplished from   
   > the original mono recordings by the Beatles.   
      
   Not quite. With The Beatles, they probalby re-mixed the original   
   multichannel tapes (or their copies, for magnetic tapes have to be   
   copied once in 20 years or so, losing quality!) in stereo by   
   panning some or all of the channels more or less off-center. It not   
   true, time-based stereo, but its loudness-based surrogate.   
      
   I have both of those orange-blue Beatles box sets where the first   
   half of each CD has a sequence of mono tracks and the second half --   
   a sequence of corresponding stereo tracks. Whereas my loudspeaker is   
   monophonic, I never listened to the stereo half :-)   
      
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