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   CFORSALE      Commercial for Sale Echo      215 messages   

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   Message 18 of 215   
   Richard Webb to All   
   Audio remote truck available   
   31 Mar 11 14:31:50   
   
                       GATA SOUND AND RECORDING   
                                 FUll service   
      
                         MObile Location audio   
   High quality multi-track recording   
      
   Audio for live broadcasts and internet streaming!   
   24 track digital recording   
      
                            www.gatasound.com   
      
   Our                     Control room is housed in an acoustically isolated 19   
   ft. cargo box on the rear of our truck.   
      
   COntrol room sounds great!  Plenty of bass trapping and a   
   reliable monitoring environment.   
      
        We offer a self contained audio production facility with state of the art   
   recording and monitoring capability.   
      
   Equipment includes the following:   
   MCI 600 series mixing console with integral patchbay.   
   54 channel 3 way splitter with JEnsen transformers, plenty of snake. Standard   
   interconnections with mains power, both 240 vac and 3 phase.   
      
   High resolution 24 track digital recording.  TAke product to   
   production facility of your choice for final mix downs   
   and/or additional processing.   
      
   TWo channels RTS intercom.   
      
   Signal processing by DBX LExicon and scamp.   
      
   QSC and Crown power amplifiers   
   JBL 4411 nearfield monitors or Yamaha ns-10, client's choice.   
      
   Two color video monitors, one for preview, one program.   
   SOny VIdeo cameraavailable to visually monitor the   
   performance if no other video capabilities available on   
   site.   
      
   Being isolated from the actual event allows us to give our   
   full attention to the process of recording or providing audio   
   for broadcast and/or streaming listeners.  Multi-track   
   recordings are provided to the recording client on a hard   
   disk for processing at a facility of his/her choice at a   
   later date if desired.   
      
        Old school with modern technology:    Though many recording operations   
   have   
   gone to a rack of equipment which can be located in a closet or other area   
   backstage we still use a self contained mobile control room   
   for recording and mixing.  In the past this requirement was   
   unavoidable because of the bulky equipment needed for audio   
   recording.   THough the equipment is smaller and easier to   
   transport we find that being outside the venue in our own   
   customized working space gives us several advantages which enable us to deliver   
   a higher quality product to the customer.   SInce we do not specialize in SOund   
   reinforcement we have no need to   
   actually be inside the facility.   Our customized mobile control room provides   
   a   
   consistently reliable monitoring environment for recording and mixing for   
   broadcast.   Listeners will stay tuned, and other production staff concentrate   
   on their primary responsibilities.  We concentrate on capturing the performance   
   for broadcast or later production without getting in the way,   
   and they remain relatively independent of us.   
      
        Though other approaches  may appear to be more cost effective they require   
   compromises which may not result in suitable audio capture for broadcast or   
   later production.  Having a known acoustic environment and staff dedicated to   
   the task enables you to be confident that satisfactory results will be   
   obtained.   
   We can, however provide a lower cost alternative for   
   recordings of chamber music ensembles, traditional choirs,   
   bluegrass performances and other such genres that don't   
   generate high sound pressure levels.  Call us to discuss   
   your needs.   
      
        Our staff has over 20 years  of experience in recording sound   
   reinforcement   
   and production.  RIchard WEbb, our chief   
   engineer/technician has been a musician; live sound technician and recording   
   engineer since 1975.  HIs first professional studio engineering experience was   
   in 1980.  We learned to do it the old way, when performers played their   
   instruments and all the digital editing capability was nonexistent.    
   THis rig provided the TV broadcast mix for Willie Nelson's   
   Farm Aid, live recordings of the Radiators; NEw ORleans   
   Jazz fest performances;, some Austin City LImits TV productions;   
   the b52's and many others.  Different owners, but the same   
   high quality sound this control room is known to produce.   
      
   Available out of the MEmphis TEnnessee area.   
      
   NO mileage or per diem applies if within 100 miles of SOmerville, Tn.   
   COmpetitive rates.   
      
   We offer special discounts to educational institutions.   
      
   Call (901) 465-9921 ask for Kathleen or Richard during normal   
   business hours central time.   
      
                                                                  
      
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    * Origin: (1:116/901)   

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