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|    Message 537 of 1,128    |
|    A.M. Rowsell to August Abolins    |
|    mostly likely smallest record shop in To    |
|    30 Dec 23 03:57:41    |
      TZUTC: -0500       MSGID: 534.canada@1:2320/105 29f5139b       REPLY: 1:153/757.21@fidonet 0fbc68ec       PID: Synchronet 3.19c-Linux master/cb76b1463 Feb 20 2022 GCC 7.5.0       TID: SBBSecho 3.14-Linux master/cb76b1463 Feb 20 2022 GCC 7.5.0       COLS: 80       BBSID: CAPCITY2       CHRS: ASCII 1       NOTE: Synchronet msgeditor master/cb76b1463        Re: mostly likely smallest record shop in Toronto        By: August Abolins to A.M. Rowsell on Sun Dec 24 2023 13:05:00               > Unless it's a recording that I *want* to hear in its entirety        > and in the same familiar order, CDs offer more convenience of        > track selection, better dynamic range...              That's true, and I do have a 300CD carousel machine that I've used for years.       But there *are* lots of albums that I think deserve to be listened to as full       albums, especially the first time, and vinyl sort of gives the artist the power       to have you listen to their art in the way they originally intended, to some       degree. As a matter of fact, there are a few CDs I own where the artist put the       entire album as track 1, or split it into 4 "tracks" each with 3-4 songs, so       that you'd have to listen to it like an album or 8-track. But I also sometimes       just want to hear this particular song, right now, and so I have a huge digital       music library for that.                      > seemed to be an average $25. Now, they seem to be no less than        > $36, and with many more "versions" like different coloured              The one thing my dad has always pointed out about recent vinyl (especially       compared to the 80s) is how amazingly high-quality the physical vinyl is. It's       heavier, thicker, and denser. He told me that at one point they started       shredding records and remelting them to make new ones, and that occasionally       little bits of label would make it through the process and you could actually       see it in the record! And that they would wear out very quickly, almost like       dub plates, you'd get like 5-10 good quality passes and then the high end would       start to roll off with each play after that. I have albums that I've listened       to many, many times and they still sound fabulous. It's also important to have       a quality stylus and to set up the weight and balance, etc. There's something a       bit more physical and visceral about putting a record on. The fact that it has       its own little ritual (picking an album, pulling it out, pulling the sleeve       out, placing the record on the platter, cleaning it with the lint brush, then       lowering the tonearm...) is also attractive. You sort of have to work for it,       and really think about what you want to hear.              And this is why I own a turntable, tape deck, 300CD player, plus a digital       connection from a computer into the amplifier (it's nice that it has TOSLINK       in!). I can pick and choose depending on my mood :)       Aurelius       --- SBBSecho 3.14-Linux        * Origin: capitolcityonline.net * Telnet/SSH:2022/HTTP (1:2320/105)       SEEN-BY: 15/0 105/81 106/201 116/17 18 128/260 129/305 135/225 153/7715       SEEN-BY: 218/700 226/30 227/114 229/110 112 113 275 307 317 426 428       SEEN-BY: 229/470 664 700 282/1038 291/111 292/854 320/219 322/757       SEEN-BY: 396/45 460/58 712/848 2320/0 105 401 5020/400 5075/35       PATH: 2320/105 229/426           |
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