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|    AMATEUR_RADIO    |    Ham radio for when Armageddon strikes    |    2,531 messages    |
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|    Message 114 of 2,531    |
|    TOM WALKER to RICHARD WEBB    |
|    how to be a lid on hf ssb    |
|    09 Oct 12 07:48:00    |
      Excellenmt Post and sadly true in too many cases.       While the Ranks of The ham Community is climbing the quality leaves a       lot to be desired.       I blame a portion of it on the Mindless Memorization classes where it is       in at 0800 and out at 1700 with the licence.              RW>This was posted by a friend of mine. Enjoy!                     RW>Here is my "tongue in cheek" adapted version of how to be a Lid for HF SSB       RW>operations.              RW>There seems to be a tendency of people making a concerted effort to sound li       RW>a Lid (I.e. poor operator). Since this appears to be the new style in amateu       RW>radio, I thought I would present       RW>this handy guide to radio nerddom.       RW>The following is what I call: "How to sound like a Lid in 10 easy steps"              RW>1) Use as many Q signals as possible. Yes, I know they were       RW>invented solely for CW and are totally inappropriate for       RW>HF SSB, but they're fun and entertaining. They keep people       RW>guessing as to what you really meant. I.e.              RW>"I'm going to QSY to the kitchen." Can you really change       RW>frequency to the kitchen?              RW>QSL used to mean "I am acknowledging receipt," but now       RW>it appears to mean "yes" or "OK." I guess I missed it when       RW>the ARRL changed the meaning              RW>2) Never laugh, when you can say "hi hi." No one will ever       RW>know you aren't a long time CW ragchewer if you don't tell       RW>them. They'll think you've been on since the days of Marconi.              RW>3) Utilize an alternative vocabulary. Use words like       RW>"destinated" and "negatory." It's OK to make up your own words here.              RW>4) The poorer the signals, the more you should not use       RW>phonetics. If you have to use phonetics, make up unintelligible phonetics. "       RW>name is Bob Billibong Oregano Bumperpool."              RW>5) If someone is causing interference, you should talk about that person at       RW>great length, making sure to comment on at least four out of six of the       RW>following: (1) His mental state; (2) His family; (3) His intelligence, or la       RW>of same; (4) His sexual preference; (5) His relationship to small animals; (       RW>His other methods of self entertainment, thus       RW>encouraging him to continue interfering.              RW>6) See just how much confusion you can generate by operating at power levels       RW>too low for the receiving station to hear you. Engage people in conversation       RW>when you know they won't be       RW>able to hear half of what you're saying. Even when they say you are       RW>uncopyable, continue to string them along by making       RW>further transmissions. See just how frustrated you can make       RW>the other amateur before he finally signs off.              RW>7) Use lots of radio jargon. After all, it makes you feel       RW>important using words average people don't say. Who cares       RW>if it makes you sound like you just fell off of Channel 19       RW>on the Citizen's Band? Use phrases such as "Roger on that,"       RW>10-4," "I'm on the side," "You're making the trip,"       RW>"Negatory on that" and "I was copying the mail." Use "I am       RW>running barefoot" when asked how many watts or what power       RW>you are using to transmit, That'll leave them wondering if       RW>you have a treadmill that you use when you are on the air.       RW>Throw in at least one "Roger" preferably two at the       RW>beginnining and always one "Roger" at the end of each       RW>transmission. "QSL" can be substituted instead of "Roger".       RW>NEVER use "OVER".              RW>8) Use excessive microphone gain. See just how loud you can       RW>make your audio. Make sure the audio gain is so high that       RW>other amateurs can hear any bugs crawling on your floor.              RW>9) Never say "My name is." It makes you sound human. If at       RW>all possible, use one of the following phrases:              RW>"The personal here is."       RW>"The handle here is."              RW> Normally, handles are for suitcases, but it's OK to use them       RW> anyway. Don't forget, this has worked just fine for CBers       RW> for years. While you are at it always say "My QTH is"       RW> instead of "My location is" or "I live in". Using "My QTH       RW> is" will be a great time saver.              RW>10) Make people think you have a split personality by       RW>referring to yourself in the plural sense. When you're in       RW>conversation and are alone at your radio always say "We're"       RW>or "We've" instead of "I'm" or "I've" (I.e. "we've been       RW>doing this", "we're doing that", "we're clear"). Everyone       RW>knows you're by yourself, but when they ask you who is with       RW>you, make up somebody important like Arnold Schwarzenegger       RW>or Bill Clinton.              RW>It will take time and practice to master being a Lid but in the long term       RW> it will be well worth your effort!              RW>73       RW> Richard, nf5b              RW>---       RW> * Origin: (1:116/901)       ---        þ SLMR 2.1a þ Typo Tom strikes agaoin        * Origin: TECHWARE BBS - Since 1995 - www.techware.dynip.com (1:102/401)    |
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