                        This fine text file came from...
								
            _______ ______________  _______ _______ __________   __
           /^____///____ _______^\\/_____^\\\_____^\\^______^\\ /^>>
          __________   V ___   \ \\__   \ \\____/ /_____   \ \/ //
          \____^\\\^\\  : \^\\  / __^\\  / // ____//^__//    >  <<
           ____\ \\\ \\____\ \\/ // \ \\/ //\ \\  \ \\_____/ /\ \\
          /^_____// \^____//\ __//   \ __//  \^\\   \ _______// \ \\
          V/        V/     V/      V/     \//    V/         \^>>
          |          :       |        :             :            V/
          :          .       :        .              .            :
          .                  .                                    . S.H.Q.
                          Far Out Multi Node System
                          					
        Node1 +46-46-133489   Node2 +46-46-133482   Node3 +46-46-133424
								
    If you want to read this then download it!  No free loaders here!!
									


  Imported and stripped from lame bbs adds by Nebraska Joe and Dr. Science!

        *** THE LATEST HOLLYWOOD MOVIES	***

	Captured, Edited and Distributed by >>Bug<< / RAZOR 1911


(c) 1992, Los Angeles Times=
Ratings are by the Motion Picture Association of America and the<
Los Angeles Times. Opinions are by Los Angeles Times reviewers.<


ALIEN 3 (R). The last go-round for Sigourney Weaver's plucky Lt. Ripley
and the horrific monsters who've been pursuing her from film to film,
Alien 3 goes in a gloomy new direction: a cul-de-sac with no exit, a
vision of universal rot and breakdown. The cast _ mostly British _ is
good, and the film has an eerie, nightmarish prison look, thanks to the
designers and cinematographer Alex Thomson. But first-time director
David Fincher, a rock video specialist, gives the movie, alternately,
too much style and not enough soul or guts. This film caps the series
interestingly, but not smashingly.

THE BABE (PG). The N.Y. Yankee home run legend and Roaring '20s idol has
always seemed too much of a subject _ too big, bumptious and prodigiously
skilled, too much a proletarian sports genius in a plutocratic age _ for
the movies to handle, and this Arthur Hiller-John Fusco movie misses it
again. John Goodman is good as The Babe, but watching this movie _ with
its careful period decor, sincere direction and well-researched but
sanitized script _ is like watching a highly professional but dull base-
ball game where the players are being bunted from base to base.

BASIC INSTINCT (R). This tale of a tough cop (Michael Douglas) who falls
for a sultry murder suspect (Sharon Stone) has been the center of an
innumerable series of controversies that turn out to be more interesting
than the film itself. Despite liberal amounts of nudity, its sex lacks
feeling and its plot is riddled with implausiblities. Instead of lifting
you up, director Paul Verhoeven only wears you out, and while that is
something, it is not nearly enough.

BEETHOVEN (PG). A pleasant doggie comedy _ bright and slick as a shopping
mall, with a big, lovable Saint Bernard conquering uptight dads and evil
veterinarians that benefits from Charles Grodin's effortless work as the
papa, some attractive pups and canines and a general air of pleasant,
unambitious sympatico. Brian Levant directs; it's not much but it's a big
improvement over his debut film, ``Problem Child 2.''

BIG GIRLS DON'T CRY ... THEY GET EVEN (PG). A disappointment from director
Joan Micklin Silver: a silly, over-frenetic chase comedy about a huge and
mostly affluent extended family of children, parents and step-parents _ a
film full of cheap L.A. jokes, programmed warmth, slick little life-
lessons and improbable twists. The cast is good _ especially Margaret
Whitton, Hillary Wolf and movie-stealer Adrienne Shelley _ but the story,
which begins as satiric attack, ends as self-congratulatory mush.

BRAIN DONORS (PG). Another bad movie idea: a Zucker Brothers remake of The
Marx Brothers ``Night at the Opera,'' with John Turturro, Bob Nelson and
Mel Smith as Groucho, Harpo and Chico, and Nancy Marchand as Margaret
Dumont. Obviously it can't work, however many wisecracks and indignities
writer Pat Proft dreams up and director Dennis Dugan (``Problem Child'')
slugs across. But on this sinking ship, Turturro _ and sometimes Marchand
and Nelson _ still manage to drown brilliantly.

CITY OF JOY (PG-13). Director Roland Joffe's restless cinematic conscience
has settled this time on the plight of the poor in Calcutta. But although
one has to respect the man's intentions, bringing the cliched baggage of
Hollywood dramaturgy thumping along behind him pretty much defeats his
purpose. And miscasting Patrick Swayze as a doctor torn by self-doubt
doesn't help the situation.

CRISSCROSS (R). This Goldie Hawn movie, a serious one, is a mixed achieve-
ment: a moving family drama swallowed up in a more conventional, and
improbable, cocaine crime thriller. It's an uneasy, uneven mix. But the
best of it, as directed by Chris Menges (``A World Apart''), catches
something about the '60s very well: a sense of newly discovered rootless-
ness and danger, in a strange new electronically bonded national community
of dissolving boundaries and intense possibility.

ENCINO MAN (PG). Pleasantly dopey comedy about a caveman unearthed in the
Valley. Not up to ``Wayne's World,'' but MTV ``personality'' Pauly Shore
scores a few laughs.

FAR AND AWAY (PG-13). Nicole Kidman and Tom Cruise star as a figurative
princess and a genuine pauper who end up traveling together from Ireland
to the free shores of the United States in director Ron Howard's rather
silly attempt at an old-fashioned, audience-pleasing epic. Shot in vivid
65 mm, it is strong in terms of production values but weak as watery tea
when it comes to little things like dialogue and character development.

THE FAVOR, THE WATCH AND THE VERY BIG FISH (R). A powerhouse cast _ Bob
Hoskins, Jeff Goldblum, Natasha Richardson and Michel Blanc _ in a
curious, failed attempt at mixed religious satire and sex comedy, based
vaguely by writer-director Ben Lewin on a Marcel Ayme story, and so
uncertain of tone, style and effect that it sets British rhythms in a
Parisian milieu and then simply tries to brazen its way, brightly or
brashly, from scene to scene.

FERNGULLY ... THE LAST RAINFOREST (G). With its bright colors, upbeat rock
sound track and strong ecological message, this modest but promising
animated film should delight children and amuse their older siblings and
parents. In his feature debut, director Bill Kroyer manages to keep the
action moving, although he's saddled with a very talky script that tells
the story through words, rather than visuals. The animation looks
reasonably fluid, although the characters really don't do much acting.

K2 (R). A formidable mountain, howling winds, lionhearted climbers, ``K2''
is one film that believes in keeping things simple. A sure-handed
throwback, this man against nature epic starring Michael Biehn and Matt
Craven as two climbers who face The Ultimate Challenge knows enough not to
allow its male bonding blather get in the way of some gut-clenching
mountaineering footage. Franc Roddam directs.

LEAVING NORMAL (R). Christine Lahti and Meg Tilly star as a pair of
mismatched adventurers who head out to Alaska on what turns into a journey
of self-discovery. Director Edward Zwick and writer Edward Solomon have
tried to blend both comedy and drama, but that proves to be too tall an
order. Though not without its charms, this film about aimless people ends
up feeling aimless itself.

MY COUSIN VINNY (R). Joe Pesci is surprisingly touching in this often
funny but very uneven comedy about a New York lawyer (Pesci) who defends
his cousin (Ralph Macchio) and friend against a murder rap in Alabama.
Marisa Tomei, as Vinny's girlfriend, is an inspired kook.

THE PLAYER (R). An artful stiletto aimed at the heart of Hollywood, this
return to form for director Robert Altman skewers today's studio politics
with chilling exactness. Starring Tim Robbins as a slick development
executive who starts to get threatening postcards from a disaffected (is
there any other kind?) screenwriter, ``The Player'' makes good use of its
multiple star cameos to paint a take-no-prisoners look at the business
that spawned it. Though the film has been considerably overhyped and is
less successful in its criminal and romantic aspects than in its pointed
satire, those wounds do not turn out to be fatal.

POISON IVY (R). Drew Barrymore plays a seductive teen-ager who infiltrates
a wealthy, troubled L.A. family and wreaks a whole lot o' havoc. There's a
lot of film noir-ish depravity here: incest, murder _ the works. The
director, Katt Shea, has talent, but the film is basically classy
exploitation. Tom Skerritt and Sara Gilbert co-star.

SISTER ACT (PG). Whoopi Goldberg on the lam in a convent is the not
unfamiliar device that turns this clever film into the funniest mainstream
comedy in who knows how long. A tribute to those often denigrated
qualities, slickness and professionalism, ``Sister,'' helped in no small
measure by superlative supporting performances by Maggie Smith, Kathy
Najimy, Mary Wickes and Wendy Makkena, is just about as good as Hollywood
gets. See it and remember how good it feels to laugh out loud.

SPLIT SECOND (R). The most unsatisfying, and derivative, creature feature
in recent memory. Slumming Rutger Hauer goes after a monster with heavy
artillery, Schwarzenegger-style, but the mysterious beast's operative
animus is never explained, though it looks like the ``Alien'' and acts
like a demonic serial killer, even scrawling messages and occult symbols
in blood. Not terrifying but simply terrible.

THUNDERHEART (R). A diverting spiritual thriller directed by Michael
Apted in which a predictible shoot-em-up plot is slickly intertwined with
American Indian religious customs and beliefs. Though Val Kilmer and Sam
Shepard nominally star, the picture belongs to two American Indian actors,
``Dances With Wolves''' Graham Greene and the seventy-something Chief Ted
Thin Elk, who knows a thing or two about The Nearsighted Mr. Magoo.

WAYNE'S WORLD (PG-13). All the rage on ``Saturday Night Live,'' this heavy
metal high school parody of ``The Tonight Show'' loses something in
translation to the big screen. Mike Myers and Dana Carvey are still funny
as host Wayne and his sidekick Garth, but even at 95 minutes the film
feels shamelessly padded and energyless to boot.

WHITE MEN CAN'T JUMP (R). No one knows the funny fringes of sport like
``Bull Durham'' writer-director Ron Shelton, and in this sassy and profane
urban fairy tale he has the expert comic help of Wesley Snipes and Woody
Harrelson as pick-up basketball hustlers on the loose in L.A. The film is
unstoppable on the court but, except for a one-of-a-kind performance by
Rosie Perez as a Jeopardy-obsessed girlfriend, is less sure-footed off it.

WILD ORCHID II: TWO SHADES OF BLUE (R). After putting Mickey Rourke and
Carrie Otis through their panting paces in the first ``Wild Orchid,''
writer-director Zalman King returns with a film that, nudity aside, has
more in common with a sentimental John Hughes teen-age romance than
anything erotic. Moments of monumentally strained seriousness make this
something of a hoot, but nothing more.

YEAR OF THE COMET (PG-13). Peter Yates and William Goldman have done far
better, both individually and as a team, than this leaden romantic caper
comedy. It's about a wine maven (Penelope Ann Miller) and a handsome rake
(Timothy Daly). Just about the only thing worth remarking about it besides
Louis Jourdan's turn as a hammy villain is the Scottish and Southern
France locales. Don't see the movie, see your travel agent.


- - -


SUMMER FILMS: Capsule Previews of Films Opening in June (Hollywood)<
(c) 1992, Los Angeles Times=
Ratings are by the Motion Picture Association of America and the<
Los Angeles Times. Opinions are by Los Angeles Times reviewers.<


THE ADJUSTER. An insurance adjuster, who has a comforting way with his
clients and a seemingly normal life, meets up with a rich former football
player and his girlfriend and is pulled, with his wife, into their
elaborate fantasy world. Elias Koteas and Arsinee Khanjian star for
director-writer Atom Egoyan. (Orion Classics)

BEAUTIFUL DREAMERS. A look at the impact poet Walt Whitman made on Dr.
Maurice Bucke, superintendent of an asylum for the insane in Ontario,
Canada, when he visited in 1880. Starring Rip Torn, Colm Feore, Wendel
Meldrum and Sheila McCarthy. Directed by John Kent Harrison. (Hemdale)

CRY OF THE OWL. A 1987 film by Claude Chabrol, a murder mystery based on
a novel by Patricia Highsmith about a man fleeing personal turmoil in Paris
who moves to Vichy, where he meets a neighbor girl who he thinks leads a
normal life. Starring Robert Forestier, Patrick Soulages and Juliette
Voland. (R5-F8 Presents)

THE GIANT OF THUNDER MOUNTAIN. Richard Kiel plays a lonely outcast
``giant'' in 1893 Gold Rush California who is befriended by a curious
8-year-old girl (Noley Thornton). Also starring Jack Elam, Marianne Rogers,
Foster Brooks. Directed by James Roberson. (Castle Hill)

HIGHWAY 61. A road picture comedy about a couple (Don McKellar and Valerie
Buhagiar) taking a dead body from Canada to New Orleans. Directed by Bruce
Macdonald. (Skouras Pictures)

LIQUID DREAMS. A low-budget science-fiction thriller about a young woman
in Los Angeles. who must conquer a nightmarish netherworld to solve her
sister's murder. Starring Tracey Walter, Mink Stole, John Doe and Paul
Bartel. Directed by Mark Manos. (Northern Arts Entertainment)

PATRIOT GAMES. Another adaptation of a Tom Clancy bestseller, this time
starring Harrison Ford as CIA analyst Jack Ryan. A wave of violence
propels Ryan and his family into the world of international terrorism
while they're vacationing in England. Anne Archer and Patrick Bergin also
star. (Paramount)

CLASS ACT. Kid N' Play star as two high school students whose identities
are switched _ with wacky results. Christopher (Kid) Reid and Christopher
(Play) Martin, with Pauly Shore. Directed by Randall Martin. (Warner Bros.)

HOUSESITTER. Steve Martin plays a recently jilted architect whose one-night
fling with a con artist (Goldie Hawn) turns into something wild and wacky
when she moves herself into his vacated country home and passes herself off
as his wife. Directed by Frank Oz. (Universal)

RESCUE ME. A bookish 17-year-old sees the girl he has a crush on kidnapped,
so he enlists the help of a smuggler to rescue her. Starring Michael
Dudikoff, Stephen Dorff and Ami Dolenz. Directed by Arthur Allan Seidelman.
(Cannon)

FIFTY-FIFTY. Peter Weller and Robert Hays are mercenaries hired by the CIA
to overthrow a small island dictatorship. Directed by Charles Martin Smith.
(Cannon)

FRIDA KAHLO: A RIBBON ROUND A BOMB. Part documentary, part filmed play,
this is a look at the Mexican painter's life: a hybrid of interviews,
Mexican folk music, archival film and views of her paintings, all
interwoven with scenes from Abraham Oceransky's ``Diary of Frida Kahlo.''
Roxie Releasing)

ACES: IRON EAGLE III. Three maverick fighter jocks team up with Louis
Gossett Jr.'s Chappy to fight a drug lord with high-tech equipment in the
South American jungles. Also starring Paul Freeman, Sony Chiba and
Christopher Cazenove. Directed by John Glen. (Newline Cinema)

WHO SHOT PATAKANGO? In 1957 Brooklyn at a vocational high school, a group
of teen-agers concerned with dating, fighting and petty crime get involved
in escalating class conflicts. Starring Sandra Bullock, David Knight,
Aaron Ingram and Brad Randall. Directed by Halle and Robert Brooks.
(Castle Hill)

BATMAN RETURNS. Need we say more? OK, OK, Michael Keaton, Danny DeVito,
Michelle Pfeiffer, Michael Gough and Pat Hingle star in a tale of the
Penguin and the Catwoman wreaking havoc in Gotham City. Tim Burton
directs. (Warner Bros.)

BOOMERANG. Eddie Murphy is a stylish ladies' man who meets his feminine
match when he falls for a woman who has decided her career comes second to
no man. Starring Robin Givens, Halle Berry, Grace Jones, Geoffrey Holder
and Eartha Kitt. Directed by Reginald Hudlin. (Paramount)

PINOCCHIO. Geppetto's little wooden boy comes to life again in this Disney
reissue of one of its most beloved animated classics. Ben Sharpsteen and
Hamilton Luske supervised the production so many years ago. (Walt Disney
Pictures)

UNLAWFUL ENTRY. Kurt Russell, Ray Liotta and Madeleine Stowe head this
psychological thriller about a cop who involves himself in the lives of a
young couple whose house has just been burglarized. Jonathan Kaplan
directs. (Fox)

LIVE WIRE. FBI hotshot Pierce Brosnan uses an unorthodox bomb-diffusion
method to foil international terrorists who are killing off U.S. senators.
Also starring Ron Silver, Ben Cross and Lisa Eilbacher. Directed by
Christian Duguay. (New Line)

SPOTSWOOD. Anthony Hopkins plays a stiff, by-the-book management consultant
called into a failing moccasin factory who comes up against a staff
composed of eccentrics and oddballs. Mark Joffe directs. (Miramax)

ZENTROPA. An American native of German descent returns to the fatherland
after World War II, becomes a sleeping-car porter and falls in love with
the boss's daughter, a former Nazi terrorist. Starring Jean-Marc Barr,
Barbara Sukowa, Udo Kier and Eddie Constantine. Directed by Lars Von
Triert. (Prestige)


+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+
                     This File Passed Trough ...
_________     ___ _____    __________ ___ _____________   _______ _______ _____
\____ __/\   /\_/\\___/  /\\____/\__//\_/\\___/\______/ /\\__/\_/\\__/\_/\\___/
  /^/Y /^/__/ //^/___   /^/___ /^/__/ //^/___    / /   /^/__/ // /__/ //^/___
 / / :/ /(_/ // /(__/  / /(__// /(_/ / \_X__/\  / /   / /( \_// /( \_/ \_X__/\
/ /  /^/  / // /____  / /____/ /  / / ____ / / /^/   / /__\ \/^/__\ \_____ /^/
\/   \/  /^/ \_X __/  \_X__ /\/  /^/  \ __X_/  \/    \/___\\/\/___\\/____ X_/
         \/     Y          Y     \/    Y              Y           Y      Y
		:          :           :              :           :      :
                .          o           .              .           .      o
                                                                 [iNtRUdEr!]
   Sysop: Mr.Thompson/Nemesis - Co-Sysops: JBM/Fairlight - Hoson/Nemesis
              We Got All the Newest Amiga, Pc, St & Famicom Stuff
                 Just Call  =->  + 4 6 - 8 - 9 4 0 6 1 4 ! <-=

Ul Date: 07-Jun-92               <-==->                   Ul Time: 10:05:19
+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+--+

