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 From: doctor@doctor.nl2k.ab.ca 
  
 **Review of "The Husbands of River Song"** 
  
 Steven Moffat's *"The Husbands of River Song"* is a festive romp that 
 balances 
 humour, heart, and a poignant conclusion to River Song's storyline. The 
 episode leans heavily into its comedic elements while threading emotional 
 depth, offering a satisfying swan song for one of the show's most beloved 
 recurring characters. 
  
 The story begins with the Doctor's reluctant involvement in River's latest 
 heist. Alex Kingston shines as River, embodying her usual charm and 
 mischievous energy, though this time with a refreshing twist: she doesn't 
 recognise the Doctor. Her obliviousness provides Peter Capaldi ample room to 
 explore the Doctor's exasperation and amusement, leading to some of the 
 episode's most comedic moments. Capaldi's delivery of "Hello, sweetie" is a 
 standout, flipping the iconic line with perfect timing. 
  
 The plot is a straightforward caper involving a villainous king, a priceless 
 diamond, and a series of betrayals. While the narrative itself doesn't break 
 new ground, it serves as a vehicle for the character dynamics. The campy 
 tone, 
 particularly Greg Davies' portrayal of King Hydroflax, adds to the episode's 
 festive charm. The supporting cast, including Matt Lucas as Nardole, 
 enhances 
 the humour, though some of the broader comedic beats feel at odds with the 
 story's more tender moments. 
  
 As the episode progresses, the humour gives way to introspection. The reveal 
 of the Doctor's true identity to River is beautifully handled, culminating 
 in the realisation that the episode leads directly to the events 
 of *"Silence in the Library."* Moffat's script effectively ties together 
 River's timeline, providing closure to her arc while deepening her 
 relationship with the Doctor. The final scenes at the Singing Towers of 
 Darillium are a masterclass in bittersweet storytelling. Capaldi and 
 Kingston 
 deliver performances filled with nuance, capturing the weight of their 
 characters' shared history and inevitable parting. 
  
 Visually, the episode is vibrant and festive, with director Douglas 
 Mackinnon 
 leaning into the Christmas aesthetic. The snowy landscapes and over-the-top 
 design of Hydroflax's mechanical body contribute to the episode's whimsical 
 tone. Murray Gold's score complements the shifting moods, 
 from the playful to the poignant. 
  
 Despite its strengths, the episode isn't without flaws. The humour, while 
 enjoyable, occasionally overshadows the emotional stakes. The villain is 
 underdeveloped, serving more as a plot device than a fully realised 
 character. 
 Additionally, the pacing feels uneven, with the quieter moments in the 
 latter 
 half contrasting sharply with the frantic energy of the first. 
  
 Overall, *"The Husbands of River Song"* is a fitting send-off for River, 
 blending comedy and sentiment in a way that feels true to her character. 
 While it may not be the most groundbreaking story, its emotional resonance 
 and focus on the Doctor-River dynamic make it a memorable Christmas special. 
  
 **Rating: 85/100** 
 A heartwarming and humorous farewell to River Song, 
 elevated by stellar performances and a poignant conclusion. 
  
 -- 
 Member - Liberal International This is doctor@nk.ca Ici doctor@nk.ca 
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